It’s 1980 Week! What does that mean, you ask? Well, I decided to try out doing theme weeks from time to time, dedicating each post during that week to cultural artifacts (movies, comics, books, music) or historic events from one specific year. In the future, I will pick those years randomly, but for a start I decided on 1980, the year I was born, because, well, today’s my birthday. I don’t know how this will work out, so it’s an experiment. But I like experiments, obviously, which means I’m very excited!
To get an overview of this particular year, I thought it would be nice to look at its movie posters. I looked at all the posters of 1980 that can be found on IMP Awards and picked out the ones I found interesting. Which is still a lot (49). But because there are so many, I grouped them in categories, because many things repeat themselves. Without further ado, let’s give it up for 1980!
You can read the full post here.
Sucker Punch is probably one of the weirdest movie I’ve seen in a long time both for its content but also for its awfully conflicted message. It’s a Zack Snyder movie, so you know you’re up for something but even with this knowledge you should be in for a surprise. He does weird stuff with all his comic adaptations, which can be okay (Watchmen), pretentiously stupid (300) or infuriating (Man of Steel). And yes, Dawn of the Dead was pretty good, I’ll grant him that. But working without source material, Sucker Punch is just insanely crazy and not necessarily in a good way. It’s almost impossible to judge it simply as a movie because it has no real plot and no characters that go beyond cardboards (or sex dolls or action figures, depending on your point of view). It’s all visuals with some weird themes woven into it. It’s a mess, to be sure, and the more you think about it, the less it has any redeeming qualities.
Continue reading Sucker Punch (2011)