It’s 1980 Week! What does that mean, you ask? Well, I decided to try out doing theme weeks from time to time, dedicating each post during that week to cultural artifacts (movies, comics, books, music) or historic events from one specific year. In the future, I will pick those years randomly, but for a start I decided on 1980, the year I was born, because, well, today’s my birthday. I don’t know how this will work out, so it’s an experiment. But I like experiments, obviously, which means I’m very excited!
To get an overview of this particular year, I thought it would be nice to look at its movie posters. I looked at all the posters of 1980 that can be found on IMP Awards and picked out the ones I found interesting. Which is still a lot (49). But because there are so many, I grouped them in categories, because many things repeat themselves. Without further ado, let’s give it up for 1980!
You can read the full post here.
The Bourne Legacy is a very interesting sequel. I watched it in school with my 7th graders because one of them suggested it. Most of them hadn’t known the earlier movies and were very confused by the plot. I would argue that this comes from a rather intelligently written screenplay by director Tony Gilroy and his brother Dan Gilroy. I know the movie was rather panned by critics but I enjoyed it a lot. The plot is demanding, the acting is excellent because of its amazing cast (especially Rachel Weisz, Edward Norton and Dennis Boutsikaris) and the action is well-made and mostly has a story-telling purpose. There is a moment where Aaron Cross (Jeremy Renner) climbs up a house parkour-style and shoots someone, which is expressive physically (although there probably was some trickery involved) but is also filmed amazingly as the camera (by the great Robert Elswit) follows him from the outside of the house through the window to the inside in one amazing take. The action scenes in Bangkok are less convincing, though, and expect us to suspend a lot of disbelief.
Continue reading The Bourne Legacy (2012)